Monday, December 15, 2008
Australia (Movie not continent)
Friday, October 31, 2008
The River Walk in Zion National Park
Monday, September 22, 2008
Firefly and Serenity
Thursday, August 14, 2008
Breaking Dawn by Stephenie Meyer
I've never been a big fan of this series, but this book topped it off for me. Stephenie Meyer's characters have never been anything special (where are the little details/great lines that give characters life?), but in this book the characters become inconsistent as well. (By the way, why are Edward and Bella in love?---as far as I can tell, it's because he's exceptionally good looking, and she smells good---which smell she should lose when she becomes a vampire, but Meyer isn't about following her own rules.) Edward goes from control freak to doormat (but he still seems to retain that one window to his soul---the fact that he likes expensive cars, so Bella gets to continue to whine about driving a Mercedes), but as Jacob's been my favorite character, I think what happens to him is worse. Until the second half of Breaking Dawn, he's the character with the most personality, at least. In fact, though I think it's kinda cheap of Meyer to conveniently go shifting to his viewpoint when it's always been Bella's before, I like getting his point of view because finally her writing shows a little voice. Then Jacob imprints on---I know people say it's non-sexual, but since imprinting's really all about reproduction, I can't help but think "pedophilia" here---Bella's baby, and he's done. His personality is totally lost, and he becomes some kind of odd nanny. I guess Meyer is too attached to her characters (flat, though they are) to kill any of them, but having him die for Bella or something would've killed him less than what she does to him in this book. So now we're supposed to believe that the whole thing pulling Bella and Jacob together was Bella's unborn child? I guess before the child was conceived, the egg must've been doing it. Speaking of the rapidly aging child (again, convenient---that speeds the plot along) with the unfortunate name, why not just change all the rules Meyer had set for vampires and have vampire babies with some lame scientific excuse about how men can have babies even when they're old, so that's why male vampires can do it---what? On to Bella---wow, I thought she was annoying as a human, but I could hardly stomach perfect vampire Bella with her cottage, and she loses her one, trite personality trait (other than whiny selfishness)---clumsiness ---when she goes vampire.
That brings me to my next point: weak major conflict. I would say the major conflict of this series has been, should Bella become a vampire? Even when I read Twilight, I thought this was flimsy because I didn't see that Meyer had given becoming a vampire enough drawbacks---the sun doesn't shrivel them, they don't lose their souls, and *bonus* they're total lookers. Now that Bella has become a vampire, and it's like she's been resurrected and is in heaven, we can see that, yes, that conflict has always been hollow. Shoot, Bella doesn't even have to give up Charlie (who accepted all the weirdness so easily and didn't even want to ask questions---yeah, right) or having children.
People have told me this book has some great surprises. Maybe. But that's because, in fact, Meyer didn't set things up properly. Think of, say, The Sixth Sense, that's good story crafting! Most people didn't see the end coming, but once we got there, we could see that it had been building to that point all along. Or consider Harry Potter, books that I think, unlike the Twilight books, deserve the hype. When we learn all of Snape's history and what he's really been doing all along, we see that it's been there since Book 1. Meyer just kind of forgets how she's set things up, makes vampires into superheroes, and throws this thing at us.
Somehow Meyer marketed these books as "vampire books for people who don't like vampire books" as though that's something new---what? There are tons of teeny-bopper-vampire-romances and adult-vampire-romances out there. The adult ones are generally really heavy on the sex, but Meyer goes about as far as she can without mentioning a---you know I have to say it---"throbbing manhood" in Breaking Dawn anyway. I will say the one thing Meyer does well is sexual tension, and now that the deed's been done, I'm not sure the whole nymphomania thing she has going in Breaking Dawn is as good. Look, if you find you like this genre, go check out DVDs of the first couple seasons of Buffy. Joss Whedon pulls off great drama AND great humor (something Meyer almost completely lacks). Or check out some L.J. Smith---her Night World series isn't anything special, but at least she doesn't take herself so seriously, and her work isn't pretentious. Come on, it's teeny-bopper-vampire-romance!
I've ranted more than I meant to here, and I can't deny that Breaking Dawn kept me turning the pages. My sister-in-law, Karene, wrote a better review. I think it's like the #1 review on Goodreads; it's witty and perceptive. She tells me it's my fault she's become critical, so I feel good about that. I like to think I had some hand in her current celebrity status. I'd say her review makes for much better reading than Breaking Dawn. Check it out, and check out the comment from Lisa---comment 70 or something. Lisa makes some great points about what these books seem to be trying to teach teenage girls concerning love, sex, dealing with parents, and having babies.
Thursday, July 24, 2008
Wednesday, June 11, 2008
Indiana Jones and The Kingdom of The Crystal Skull
Alright, in the first scene when Indiana Jones appears, the sequence goes like this: There are some very bad Soviets (their badness was established earlier). They open the trunk of a car and pull one guy out and toss him to the side. They then reach in and pull out a fedora and toss it on the ground. A second guy is pulled from the car. We don't see the second guy. We only see his feet in a long shot with the fedora in the foreground. The feet stagger a little, straighten up, walk to the hat. A hand reaches down and picks up the fedora The camera follows the fedora up the body where Indiana Jones places it on his head, cue theme music, spell is cast, my childlike Indiana Jones fanboy-dom is in full force. Considering this and that the movie brought back Marion Ravenwood, how on earth did it manage to be so bad?
Don't get me wrong. The opening sequence of "Raiders" with thousands of year old booby traps still working perfectly and Indi managing to avoid them all is one of the greatest bits in all of film. I don't go to Indiana Jones for realism. I like escapist fantasy, but this went too far. One of the best descriptions of the movie I heard was that Indiana Jones used to be a clever, talented man who cheated death; this movie turned him into an invincible superhero. I'll put it still a hair above Temple of Doom, solely on the strength of the return of Marion, but this movie definitely detracts from the legacy of Indiana Jones. I think I'll just show my kids Raiders and try to keep them from the knowledge that the others were ever made as long as possible.
Saturday, May 24, 2008
Jim Henson's The Frog Prince
Good, clean entertainment for children and adults, this is one of my favorite productions from Jim Henson. It is hilarious. You've gotta love the dim-witted, but well meaning King, who delivers my favorite line, "I don't understand any of this, but it seems to be ending well." This film also introduces the wonderful character with whom you may be familiar from other muppet movies, Sweetums. You will also be treated to many fun songs, one of which has the truly great lyrics, "Sweetums, lay your ugly head down upon your wretched bed...Sweetums is so sweet and cute, go to bed, you stupid brute." And there is also the added bonus of Prince Robin's awesome hair. If you haven't seen this, you need to be enlightened. You can find a copy used on amazon.com.
Wednesday, May 21, 2008
Cook vs. Archuleta
Wednesday, May 14, 2008
Salad Dressing
If it's Caesar you want...Brianna's is the way to go. Unfortunately, it's not as cheap, but it's excellent dressing.
American Idol Top 3
David A.---So cute, such a pretty voice...B O R I N G... No offense, Archulta fans, I've just never actually wanted to listen to anything he's done twice. Last night...same old, same old... I'm even a Billy Joel fan, but Paula should've given him "Uptown Girl" or something that might have made David A. a little less boring. Of course, he probably would've ruined it by getting all croony and putting a bunch of vocal modulation in, but the Billy Joel song was certainly the best of the three.
David C.---Last night wasn't his best (for me that would be between "Hello" and "Eleanor Rigby") but as usual...not boring. I really liked his "First Time Ever I Saw Your Face"---Simon was right to give him something out of his general realm---it's always cool to see what he'll do with songs like that (that's why I actually hope to see him sing one of those awful songs written for American Idol). David's own song choice...okay, but nothing special. The Aerosmith song...I thought he sang it very well (and yes, Kelly, the violins were cool), but I guess I missed a thing, because I never caught the vision with that song, and I even like Aerosmith---come on, you gotta love "Love in an Elevator"and "Dude Look Like a Lady"---but seriously, I'm a big fan of "Cryin'" and "Angel," but I guess I do wanna miss a thing. Anyway, you get the idea....I think David Cook was far better than the other two.
Friday, May 9, 2008
Twilight
I really enjoyed reading Twilight, and it was a page turner. I'd say it was a better than average teeny bopper-vampire-romance novel. The back cover compares Twilight to Anne Rice's stuff, and that comparison is way out in left field. We do not have Anne Rice's signature elevation of evil, or maybe you would say disregard for morality (which has driven me to go on the wagon where Anne Rice is concerned---yeah, I heard, she converted to Christianity and has written a novel about Jesus---scary thought--not the conversion, the novel), nor do we have her beautiful mastery of using language to involve the senses (which I did enjoy). Even the vampires are vastly dissimilar. I will try not to give plot stuff away here. I think Twilight was better than L.J. Smith, but not as good as "Buffy" at its best (unfortunately, as I believe most of you would agree, "Buffy" and "Angel" weren't as good after their first few seasons). Twilight lacks that wonderful, poking fun at teeny-bopper/vampire melodrama humor that "Buffy" has. Don't get me wrong, I did enjoy the book a great deal, but there were some annoyances for me. I prefer it when staples of vampire lore are observed. I don't mind messing with a few things, but it really bugs me when sunlight doesn't hurt the vampire. (Often teeny-bopper-vampire romance novels need to fudge this so that the centuries-old vampires can attend high school---yes, cheesy. But at least in Twilight the sun is problematic for them.) I like the wooden stake thing, but I'm not horribly offended if it's taken out (the wooden stake is not mentioned in Twilight). I think allowing the vampire to be in sunlight makes it far too easy for the vampire. Humans would have no chance if not for that. Also, since in Twilight vampires don't lose their souls, can go out in sunlight, and are virtually indestructible, everyone would want to be one. That always bothers me too. I like it when being a vampire is somehow undesirable. In this novel our dark, dashing hero thinks he shouldn't turn his ingenue into a vampire, and we wonder why. I prefer something "Buffy"-like here. Vampire is tortured. In Angel's case, cursed with a soul he will lose should he become truly happy. Spike, though a fun character (we loved him watching "Passions" with Buffy's mom), I thought was handled poorly. They lost Angel and wanted another vampire for Buffy (well, Riley sure didn't work), but Spike developing his own morality didn't really fit in the "Buffy" universe. Sorry. Back to Twilight. Back to the ingenue. As is typical in romance novels (the better to make her everywoman), the heroine is rather dull. Her token character flaw is clumsiness that is somewhat unbelievable and gets annoying. Also, she sometimes seems kinda dumb, and we do wonder what Mr. Vampire finds so fascinating. For that matter (don't stone me, ladies), he's not really very original either, but he makes up for it by being a dashing, moody vampire, so who can resist him anyway? Despite the fact that I've spent a lot of time ripping, the book was a lot of fun. |
Some Quick, Somewhat Random Reviews
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The Scarlet Pimpernel
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